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Otter 808 is the latest sea otter to be rescued by our Sea Otter Program.

Orphaned from a shark bite, he's recovering under the watchful eye of Dr. He'll hopefully be released to the wild after learning the ropes from his surrogate mom, Rosa.

Another drawback is in film usage—a four-camera setup will use (depending on the cameras involved) up to four times as much film (or storage space for digital) per take, compared with a single-camera setup.

While shooting, the director and assistant director create a line cut by instructing the technical director (or vision mixer in UK terminology) to switch between the feeds from the individual cameras.

In this way, multiple shots are obtained in a single take without having to start and stop the action.

This is more efficient for programs that are to be shown a short time after being shot as it reduces the time spent in film or video editing.

It also reduces the complexity of tracking continuity issues that crop up when the scene is reshot from the different angles. Drawbacks include a less optimized lighting which needs to provide a compromise for all camera angles and less flexibility in putting the necessary equipment on scene, such as microphone booms and lighting rigs.

These can be efficiently hidden from just one camera but can be more complicated to set up and their placement may be inferior in a multiple-camera setup.

Our aquarists also teach the otters behaviors, like holding a target with their paws or walking onto a scale.

Training keeps our otters mentally and physically stimulated—it also makes working with the otters safer for us and less stressful for them.

The camera currently being recorded to the line cut is indicated by a tally light controlled by a camera control unit (CCU) on the camera as a reference both for the actors and the camera operators.

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